Thursday, March 25, 2010

Pro Tools Studio - How to Build a Killer Pro Tools Studio on Short Money

I get the calls all the time, "Buster I'm building a studio... what should I buy."

Well truth be told my buddies in the manufacturing industry might not like what I suggest, because I am going to steer you away from normal choices. Ill give you the same advice I give them and that is to get nose out of the Musicians Friend catalog. Once that is done we can then find a great solution that will work for your unique purposes and get you the biggest bang for the buck.

New Shiny Gear!!

Ok, the allure of unpacking a piece of new gear from its bubble wrap may be exciting but if you really want to get the biggest bang for your buck you are going to have to piss off those big-box retailers like Guitar Mart, and start scouring Ebay and Craigslist.

There are some great pieces of gear that have tons of life that won't break the bank.

The end use must be kept in mind. For instance if you are going to run a commercial multi-tracking facility then you will want something completely different than if you are simply composing your own songs.

Consider your requirements honestly and see if a used 002 may work for you . People are unloading them all the time as they upgrade. It has practically the same features as the new rigs with much less cost. Save the money and use it to buy a better microphone, which is really what you need anyway.

If you are considering laying out the bones for a big HD system first consider if you could get by with a 003 expanded. You could buy a nice firewire interface for under a grand to expand your real time tracking capability to a full 18 tracks at a time. And the real bonus, you will be thousands ahead in budget. With a beefy enough computer you can run all the same plugins as the HTDM system but, you will be able to afford more of them.

The Plugin Game

Ok, if you are going to take a project from recording to mixdown in your studio then you are going to need some quality plugins - bottom line. Plugins give you the pallet to create polished and produced sounding mixes. So spend your money wisely. This is also an area where you can pick up some used gems as well. Many of the best plugs are for sale used on Ebay for fractions of their retail price. Purchasing is simply a matter of transferring the iLok asset from the seller to you. It does involve a transfer fee but for the savings on the plugin it is well worth the effort.

The Other Stuff

For all the other gear - you know the boring stuff like mics, stands and headphones - look for used gear as well. But when it comes to critical chain items such as microphones, buy names.

I see way too many people make the amateur mistake of buying no-name gear which is touted to be the same as say a Neumann [ it looks like one after all]. This is a rookie mistake.

You picked Protools because it is what the pros use right? Why shouldn't you make your critical chain (mics, pres compressors) purchase decisions based on the same information. Spend wisely and you will have a piece of gear that serves you well for decades. Spend foolishly and you will waste money by having to upgrade to what you should have purchased the first time.

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Wednesday, March 24, 2010

Canary Mine - LFASB - 08 - Hold You Dear

Canary Mine - Live From A Suburban Basement We set up Carl by the pool table with mikes hanging from the drop-ceiling. Joe stood between two couches. Mim played her keyboards in front of the stand-up piano. I set my amp at the bottom of the basement stairs. We plugged everything into my 8-channel mixer into my 4-channel mixer into my DJ mixer. This was all fed into my computer and recorded using Sound Forge. This stereo recording was recorded live. No multi-track was used. This is a raw, off the floor recording. James Lanbro -- guitar and vocals Carl Welch -- drums and vocals Mim Adams -- keyboard and vocals Joe Arnup -- bass Recorded February 27th, 2005 Mastered by Fred Smith of fredsmithstudios.com Produced by James Lanbro and Canary Mine

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Drumming for the Shamanic Journey

What is Shamanism?

Shamanism is the oldest way in which humanity has sought connection with Creation. The origins of shamanism go back at least 40,000 - 50,000 years to Stone age times. All of us have evolved from shamanic cultures, it is our roots wherever we live.

A shaman knows that all things are alive and 'walks with one foot in the everyday world and one foot in the spirit world'. Contemporary shamanism is the application of these ancient timeless ways to life here and now.

Shamanism is not a belief system. It is a path to knowledge which is gained through experience of life, through rituals, ceremonies, prayers and meditation, trials and tests. Knowledge is something that works, that stands up to the test of time, that is known from the inside.

Cosmology of the shaman

Shamans divide non-ordinary reality into three other regions, the upper, lower and the middle worlds. Each has its own characteristics and whilst each individual traveller experiences initially their own version, once one becomes a proficient journeyer, it is amazing just how connected we all are at these levels.

The Lower world is the place of instinctual knowing where our animal-like powers reside and where we can find practical earthly help and guidance.

The Upper world is the word of spirit teachers, cosmic beings, great wise elders, ancestors who appear usually in human form. Their help and guidance is often perceived to be more general and philosophical.

The Middle world is both the everyday physical world that we live in, the world of ordinary reality, the tonal, and also a parallel non-ordinary version of our world.

It is a CD specifically made for shamanic journeying, and to do this, the drums have to be as monotonous as possible and maintain a consistent beat between 205 to 210 beats per minute. At this specific beat, the brain is stimulated to synthesise natural beta-endorphins which facilitate a person to move into what is known as the 'second attention', an altered state of awareness, or shamanic state of consciousness. This state of awareness facilitates the shamanic journey.

A Shamanic Journey to the Lower world.

To begin, find a place that you feel comfortable and will not be disturbed for about 30 minutes. When you are ready, lie down comfortably, and darken the room, or at least cover your eyes. It is easier to journey in non-ordinary reality in the dark. Remove tight clothing, take off your shoes and allow your breathing to move to a gentle rhythm. Relax for a few minutes, focusing on being centred, and grounded.

When you are ready visualise or imagine, a place which reminds you of the Earth, a place which you know of. This place should be a real place, perhaps somewhere you have visited, or seen in a film or photograph, and it can be anywhere, a hill, mountain, grasslands, forest, by the ocean. At this place allow yourself to perceive an entrance or opening into the Lower world. This entrance can be a hollow tree, an animal burrow, a cave entrance, a man-made opening e.g.; a trapdoor, it can any entrance into the ground or water. You will find that the right entrance will feel comfortable to you, take a minute or so to study it in detail.

Now when you are ready, enter into the opening. The beginning of the tunnel may appear dark, it may angle down in a slight incline, or it may incline steeply. The tunnel may appear to be ribbed, and often it bends, sometimes it may become spiral-like, but it will always lead downwards.

Continue down the tunnel until you come out of doors into a landscape. If you come into a cavern, you will need to move outside and into the landscape, there will be an exit for example a door or an opening which will enable you to do this, it should be easy to get sight of it.

Now in the landscape, just look around. It may be daytime, night-time, forest, woodland, or near water. Extend your senses, listen, can you hear anything, the sound of birdsong, the sound that the wind makes as it blows through the tree tops, perhaps the sound of running , flowing water. Feel the ground underneath your feet, feel the ground pushing up against the soles of your feet. Sense the wind, the breeze, sense the movement of air around you. What does it feel like? Have an awareness of being there.

If you want to explore the landscape, remember where the entrance is, keep track of where you go. Just as in any ordinary-reality journey, it helps if you keep a note of landmarks so you can retrace your steps to return.

o Track 1. Solo Drumming (with call back) 20 minutes with Leo

o Track 2. Solo Drumming (with call back) 20 minutes with Howard

o Track 3. Double Drumming 9with Call back) 40 minutes with Leo & Howard

Cover notes

The CD comes with detailed notes describing the cosmology of the shaman, and instructions for a journey.

Technical information

The drumming was recorded live directly onto digital tape at Sync City recording studio in London. The drumming was played in the 'live-sound' studio and no sound modification process was used.

Both drums were single headed frame drums. For the double drumming track, both drums were held facing each other in a position to optimise the natural reverberation.

The recording engineer was Wan Hewitt, himself a professional drummer. He has been dubbed the 'drummers darling' due to the great live sound he gets.

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Marshall JCM900 Lead 1936 2x12 Speaker Cabinet for Sale Demo/Review

This is another one of my personal gear offerings...I just can't afford to keep it now...the economy sucks and I have to put food on the table. This is in great condition as it hardly got used. It's "real" made in England Marshall too...it has a pair of made in England Celestion G12T-75 speakers and can be run 150 watts into 8 ohms mono or 75 watts/16 ohms per side stereo. I'll be listing it on ebay or you can contact me here directly via the send a message link at my channel. I hope you enjoy this video for whatever reason you may be watching. Again, this is a way for me to say goodbye to an old friend that I can see and hear and remember from time to time. Isell lots of used guitars and basses (both here and on ebay...same name there...100% positive feedback) and I'm a dealer for the Mbrace stands (on special right now until the end of 2009 for $60.00 including shipping in the US and $85.00 world-wide) and also Thomastik-Infeld strings. Let me know if there is something you want/write me if you're interested...use the send a message link on my channel page. Also...Guitars Wanted as I'm always looking for more guitars...I buy/sell/trade 'em. The guitar is plugged straight into a Fender Super Sonic combo but I'm not using the built in speaker, only the amp section, and it is plugged directly into the Marshall speaker cabinet. Any other questions, just ask... Here is a link to my current ebay auctions if you are interested... shop.ebay.com If you like what you hear, or are ...

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The Devil Wears Prada - Hey John, What's Your Name Again? Vocal Cover

The Devil Wears Prada - Hey John, What's Your Name Again? Vocal Cover. Please comment and rate. Don't forget to subscribe. :]

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Tuesday, March 23, 2010

Foo Fighters- In You Honor Drum cover

the guitar at the starting is not connected to any amp i just put it in for fun.. the last part i just play for the hell of it because its fun..really..ahaha Having spent a year and a half touring behind One By One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself, but eventually the project involved the entire band.[12] To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks.[10] In Your Honor was released in June 2005. The album's singles included "Best of You", "DOA", "Resolve", "No Way Back", and "Miracle". On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. The band was supported by Juliette and the Licks, Angels & Airwaves, Queens of the Stone Age, and Motörhead. Motörhead's Lemmy joined the band on stage to sing "Shake Your Blood" from Dave Grohl's Probot album. Also, as a surprise performance, Brian May and Roger Taylor of Queen jammed with Foo Fighters, playing part of "We Will Rock You" as a lead into "Tie Your Mother Down". In further support of In Your Honor, the band decided to organize a short acoustic tour for the summer of 2006. The tour included former member Pat Smear, who rejoined the band as an extra guitarist, Petra Haden on violin ...

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Chinese Democracy / Guns N' Roses cover

Thank you for watching my video. This is me covering Guns N' Roses' "Chinese Democracy" because I'm too excited to have the album to stand without doing anything. I want to thank all of GUNS N' ROSES with this video, especially AXL for being GUNS N' ROSES alive. The play in this video is line recording as usual. I didn't know who of the 3 guitarist in the band play which part so I played what I could play. And I think the solo was played by Robin and Ron (in the studio take, the solo was played by Robin and Buckethead) but I'm not a technical guitarist like Bumblefoot so I improvised the 2nd half of the solo.. I used Gibson Les Paul Classic with Gibson 57 classic pickups. If you have some questions about my guitar, amp, and other equipments or something, please watch my channel and read FAQ. I wish you enjoy this video. Thanks :)

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